Showing posts with label If Tomorrow never comes. Show all posts
Showing posts with label If Tomorrow never comes. Show all posts

15 Jun 2015

If Tomorrow Never Comes

Minimalism as Less Elements


A black and white Minimalist Photo of a window at a building under construction being illuminated by the light coming from outside.
Minimalist Photography By © Prakash Ghai
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Each day I sit next to the window thinking about you, dreaming that one day we will be together. I tell myself to be patient and let nature do its job. But sometimes I am very fearful. I know that we are destined to be together, but what if "If Tomorrow never comes?.

Last Sunday, I was sitting idle at home relaxing and thinking where to go for a photo-walk. I ran out of options and was very reluctant to go the places I had been before. It is 15th June 2015 as I write, and on 3rd of June "Jaipur Metro", the new Public Transport service via Train was inaugurated in Jaipur. The train station is a mere 100 feet away from my house, so I thought it would be a nice idea to go there and shoot the new building and its creative architecture.

I had planned to shoot that very popular "Still man, moving train" street photography shot which I had been longing for. I entered the placed and asked the security guard if photography was allowed. I was expecting a positive answer from him, but he replied that "photography is only allowed for those who have official written permission from the operations head". I was very disappointed. None of the public places in Jaipur allow photography (apart from the heritage tourist places) and I happen to miss a lot of quality street shots for that reason.

I have seen many of my international photographer friends on Facebook post very good street shots taken at public places. I thought why not try taking permission, so I went to the inquiry counter and asked for the operations head, but he was not at his desk, I told myself, "forget it". And I decided to leave the train station.

While I was on may way out I saw a staircase which was under construction. I took that staircase and that lead me to this dark big hall with only a window letting in some light. I felt a little better as I knew I had my Minimalist frame right in front of my eyes. To compose, I placed the window on the right and the slanting rays of light running across, just under it. During editing, I enhanced the highlights and darkened the shadows.