Minimalism as Less Elements
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| Photo By © Prakash Ghai Buy Now |
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| Photo By © Prakash Ghai Buy Now |
![]() |
| Photo By © Prakash Ghai Buy Now |
The curl and the lines as you can see are opposites. One is fluid and circular, the other one is straight and repetitive.
Keeping both in the same frame creates a natural juxtaposition among these two forms.
Close up minimal is something I keep coming back to. When you move physically closer to a subject, two things happen.
The background sorts of collapsed and disappears and the details actually take over.
Here the white wall becomes the negative space and the two blue elements become the entire story in the frame.
The texture of the wall adds just enough interest without drawing attention away from the curl and the lines.
Blue against white is as clean as it can get in terms of having a minimalist color palette that is ideal for Minimalist Photography
There are no extra colours and the background is not busy. This is what declutter or decluttering means in minimalist photography.
You are not removing things in post processing, rather you are choosing your position and your frame in such a way that only what matters stays in the frame.
Jaipur gives you these kinds of photography subjects constantly. The old city is full of walls, windows, doors and ironwork painted and repainted over decades.
Th modern city full of cafes and hangouts is no less. The colours are saturated, the surfaces are textured and the details reward a close eye. Most people walked past these without a second look.
The cafe I was at, had maybe twenty people sitting in it when I captured this shot.
Simplicity in photography is not about finding simple subjects. It is about finding the simple version from a complex scene.
This wall had a door, a sign, tables, chairs and people around it. I moved in close, excluded everything else and found the photograph inside all of that.